Oscar Picks Heart & Brain 2015

This year original was the key word in the Original Screenplay category. There were ideas that harken to the golden era of American film the 70’s.

“Birdman” or “(The Unexpected Virtue of Ignorance) written by Alejandro G. Iñarritu, Nicolas Giacobone, Alexander Dinelaris, Jr. & Armando Bo was one of the most original ideas wrapped in familiar themes and was a postcard to the American actor. It is as amazing a source for a film that starts with an unwritten back story that makes the script even more amazing from the get go.

“Boyhood” by Richard Linklater was an original idea and an amazingly dedicated process; but it was not improvised which is a blessing but it was hard to convince many an industry audience that it was more of a dramatic Christopher Guest movie.

“Foxcatcher” told a story as eerie as any horror story told in recent years; it captures all the dark sides of power rarely made public. E. Max Frye and the amazing Dan Futterman told a story that needed telling because it happened in the pre-Twitter era and had the pedigree of being swept under the rug.

“The Grand Budapest Hotel” is one of Wes Anderson’s finest. He and Hugo Guinness tell a story about fictional fill in the blanks and make them seem more real than actual stories like “Foxcatcher and American Sniper.” He like his peers P.T. Anderson, David O. Russell just get better with age and his movies are events that are anticipated more than most projects.

“Nightcrawler” by Dan Gilroy was as original a story as it gets. The story of how to capture the story first may make for the sole real upset of the night.

My heart says “Nightcrawler” a true original idea that sheds light on getting the money shot first would be a winner any year any decade any era.

But my head says tonight’s Oscar goes to “Birdman.” Genres be damned it was a mix of emotions expressed in words not spoken by actors of weight in years. It was Shakespeare’s screenplay for “Batman.” Like “Inherent Vice” it also makes those aware of the brilliance of Raymond Carver and that he and Mr. Pynchon are worth investigating.

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Best Adapted Screenplay-Heart Picks and Head Picks

I would be very disappointed if Richard Linklater (or Julie Delpy and Ethan Hawke) won an Oscar before Matthew McConaughey did. I would also have rather had wanted to see “Lone Survivor” get the nod over “Before Midnight.” Billy Ray’s script for “Captain Phillips” was probably not calling for accents to be lost over the course of the film and maybe it dealt with the eventual heroes the Navy Seals. The wrong script about Navy Seals was chosen again. “Philomena” was masterful and a serious toned with moments of levity fueled by sarcasm by its male star and co-writer Steve Coogan. John Ridley’s adaptation of”12 Years a Slave” recounted a story many Americans wish wasn’t in our history. It’s comedic counterpart of last year, “Django Unchained” was a winner in the original category and it makes me wonder what the Academy will do eventually. The best most exhaustive screenplay was “The Wolf of Wall Street” and a return to form of the master, Terrence Winter. If we saw Mr. Scorsese film the scene it all began and ended with Mr. Winter’s words.

My heart Terrence Winter and my head John Ridley.